School vs Studio Pt 1: Summary

As somebody who always wanted to run an actual music school instead of being stuck in basement purgatory, I am proud to say I have reached that dream – Flamingo Music was officially incorporated in April 2015, and September 8 we opened our doors. It was a long a very stressful few months to get us here, not too mention expensive and a steep learning curve. While there is still much to learn and everyday brings its own new challenges, there is still intense satisfaction in having come this far.

Our new location, at 811 Manning Rd NE, Calgary, AB, Canada is bright, clean, and still smells a bit of new paint. We share a commercial office building with Engineering, Construction, Outreach, & Consulting companies. Our building is in the middle of a diverse office park – a far cry from the commercial district of 17th Ave SE that Martin (the manager) and I had envisioned. We trade higher visibility and some freedom for 24 hour security and businesses with a professional image – the commercial district also unfortunately might just as well be the red light district. They tell me if you want to be successful, surround yourself with successful people – both as staff and as neighbours.

Going into this new venture there are many things I am grateful for, and many things I am glad were in place before I started. First, I am glad I spent 9 years doing the job before making a large leap. Why? Because it allowed me to be able to learn the job, learn strategies, build connections and a reputation with which to build upon. It let me learn some of the many lessons – some painful, some difficult, some entertaining, but all important, that I needed to learn, and still am. It also meant that I was able to put together a strong team that had a previous track record of working and performing together – I was able to elevate my senior students to instructors so they would have a work environment that would be challenging, supportive, fun, and teach more life skills than the typical after school job. I am grateful for the people who contributed to the school as an entity – donating old furniture and items, volunteering time and assistance to setup and unpack, those who have spread the word and referred new students, and the many parents who offer an encouraging word on the days when the school seems overwhelming.

On the flipside, there are many things that terrify me. The amount of money and finances my husband and I dumped into making the school a reality, the amount of time I put in without a paycheck (3 months so far), the uncertainty of sharing a building with others who may object to the kids or the sound levels, and most of all the fear that I may fail my own staff. Having watched Team Flamingo become a solid team of responsible teachers, it is hard not wonder if I push them too hard, if I don’t support them enough, or if I don’t do a good job “being the boss”. As well, I do not want the education and achievements of students to be diminished because I didn’t give adequate time or preparation due to the daily demands of running the show.

Many changes have happened too – bad economy, loss of some of our major supporters, some clients that did not want to migrate to a new place. None of these are factors within control, and the difficulty in remaining positive can be draining. Is it worth it?

Seeing the smiles of kids running through our door, seeing the spring in the steps of the team as they come and go, watching new friendships, partnerships, and collaborations come forth from the creative personalities. Seeing the parents all enjoying the waiting area where the topics range from classes they take, to jobs, to news in Canada or back in the home countries, to politics and world events, drives home a simple fact – Flamingo Music is not simply a school, not just a team of musicians, and not just a means to an end. Flamingo Music is a community, it is place, and it is our community and our place. People are welcomed from all walks of life, all ability levels, and together the community grows stronger. As such, Team Flamingo will be continue to be dedicated to creating a bigger community that always remains ready to accept another into the flock.

Looking back, when I started this post I was planning just a brief intro the fact that the studio had hatched a school and the change in location and operation. This post was not intended to be an unedited rambling, but quite possibly it needed to be. If you have read this far, thank you for taking time to stop by.

If you are interested or know somebody who is interested in music, please feel free to stop by our website http://www.flamingomusic.ca and let us know.

We Are Back!

I know I have neglected this blog shamefully. To any readers who were following, I had bad personal circumstances and a couple of hospital stays. Flamingo Music however is stronger than ever, and expanding in 2015. We hope to bring more relevant content and posts – please contact us if you would like to see something specific.

 

New Class & Expanding Team! – CNC Update

Tomorrow we start a new group of kids at the Centre for Newcomers (CNC). We have a record-breaking 18 piano players and are trying out 6 guitar players. The piano players will be grouped into 2 classes, and for the first time will be completely taught without my direct supervision, only occasional assistance. Regie and Danika will head up the older group, while Ronald and Reihan head up the younger group, with Martin as extra support where and when needed. Once again, we will be using Andrew Fling’s Making Music Fun Level 1A Piano Book, and if you have not had the chance to check out the sheet music and fantastic activities and arrangements, please let me be the first to encourage you to do so. He has level by level arrangements of traditional, classical, and christian songs, as well as games, worksheets, and theory activities all presented in a simple, but dynamic format that goes very well in our group class and regular studio classes.

http://www.makingmusicfun.net/

Tomorrow, we will also debut our two newest team members – Malee and Amanda, guitar players who have been learning since Grade 5, and are now in Grade 9 and good friends besides. The guitar group is small, compared to piano, as this is the first time we have tried something like this, and the group was requested by popular demand. Guitar group class will focus on chords, strumming and popular music as this works best in a group format. I am expecting that this group will be as popular as the piano group and will grow, as the piano group has.

Currently, I am putting together photo albums and video collections of our CNC group classes in order to showcase the dynamic of the team, and the inside view of the class. Considering this is a volunteer run effort on our part, I am hoping some insight and exposure may encourage other teachers to try the same idea in their cities. In the meantime, I am leaving you with our photo album showcasing the March intake and October intakes from last year – group classes at the CNC, rehearsals and special classes held in my home, and some community events where students have performed. The link below is a Facebook link, however this is for our Flamingo Music page, not my personal one.

CNC Photo Album

Lastly, to show we are not all serious all the time and that we do have fun, I am posting a link to a YouTube video that shows my team at their worst (best?). At the end of class we have a Bingo game with candy for counters, and Martin loves to eat as much as help. The result was a fight that ended with candy all over the floor, and the 3 guys all trying to blame each other. The video starts just after the candy is dumped. Enjoy!

Recital Photo Album – Online!!!

Well this morning was a very busy morning, and this has been a very busy week with issues cropping up left, right, and centre outside my studio. However, I did get to catch up with the talented and passionate photographer Kristoffer Lim and get the AMAZING and GORGEOUS photos he took of our concert – Kris you are phenomenal and I still can’t believe we found a photographer like you!!! To anybody in Calgary, if you want an excellent and professional photographer, I can highly recommend Kris. In the interest of preventing spam, I will not post his contact info here, but you can get it from me if you like by messaging me or commenting an E-mail address to this blog.

I will put a few highlight photos here, but for all the picture goodness, the photo album is available on our Facebook page http://www.facebook.com/FlamingoMusic. For my students, assistants, and their families, please feel free to wander through, tag the photos and share them!

Flamingo Piano Recital 2013_-5 Flamingo Piano Recital 2013_-21 Flamingo Piano Recital 2013_-92 Flamingo Piano Recital 2013_-98 Flamingo Piano Recital 2013_-218 Flamingo Piano Recital 2013_-135 Flamingo Piano Recital 2013_-114 Flamingo Piano Recital 2013_-103 Flamingo Piano Recital 2013_-102 Flamingo Piano Recital 2013_-4

Exams, Glorious Exams! *Sarcasm*

Well I sit here waiting for pics to come in from the past recital, Kris, our photographer has me totally on edge right now, I am excited and can’t wait to see them!! To be fair, he has been working his full time job quite a bit lately, and I respect that – he has kept me up to date on the progress and said there are many awesome pictures of my amazing students! Our videographer, well I am waiting on that one, I really would like to put up our videos on YouTube soon. Advantage to my husband filming – videos right away. Advantage to a pro – better videos and less worry. Not sure yet which I like better though, patience is not always my thing.

So having said that, I do have a new cover photo for our Facebook page showing the talented, beautiful, and amazing Legacy sponsored students Kalinda and Ashley V presenting the cheque for our efforts to Alicia Diebert from the Legacy Children’s Foundation. She is in the middle, I am in the red Chinese dress, and Ronald is to the right and behind of me, my awesome student teacher Ronald who was there an hour before and stayed till an hour after helping and assisting. Hiding behind me, you can see Regie, who is also an outstanding student teacher!!! I am so lucky and fortunate to have such a wonderful team!

https://www.facebook.com/FlamingoMusic

So anyways, as I wait in suffering curiosity for the pictures and videos, I figured I should still update my followers, few yet awesome as they are, and keep my blog up to date. Sometimes it is easy to forget to do it, and I get a comment about how somebody loves it, but would love even more if I blogged more. So, in true Flamingo Music/Architect of Musical Revolution tradition, I shall probably open a can of worms with this but here goes.

Here in Canada, the Royal Conservatory of Music Examinations are now open for registration for the Spring Session. These happen 3 times per year (Dec-Jan, May-June, and Aug) for all of Canada, and an April Practical -no Theory – only session in certain places). I always remember the deadlines because the Dec-Jan and May-June ones fall on, or within a day or two of, my birthday and my husband’s. How convenient. I have one girl doing Grade 4 Practical, and on girl doing Grade 1 Practical. Now most teachers only have a few students doing exams at any one session, however some years I don’t have any, and I have 70 or so students per year – not counting group classes! Why?

I do not feel examinations are always necessary. If you want the 3rd party progress evaluation then yes, if your child is homeschooled and needs the credit then yes, if they want music as a career then yes. If you want your child to just learn, grow and experience the joy, passion, and true pleasure of music to expand their horizons and enrich their life as a person, then TOTALLY UNNECESSARY!!!

Now before I get the hate mail about how I am wrong, let me explain. The most common story I hear from adults who “used to play” is that they were forced to do exam after exam and never got to experience the music they wanted. Everything was tied to exam, passing exam, performing for the examiner, and nothing was tied to “music for music sake”. Every single one is now a talented, fantastic pianist, not one of them plays. I have taken students to exams and heard and met amazingly talented and skilled students, and not one of them was happy, looked happy, or seemed to enjoy the incredible experience of music. I look at my students and see kids being kids, enjoying music in all forms without pressure, without judgement, and who want to show what they can do. I see kids who play a range of music, kids who play for school and church and in bands and love every second of it!!! Why would I take this from them by subjecting them to exams? Every one of my students who knows somebody who takes exams does not want to take exams and begs me never to make them. I have heard how their friends cry, stress out, and fear the exam. Now to be fair some kids do like it, and I have no problem with that – if the student wants it, let them, push them, encourage them, and let them have that experience. However, this blog post is meant to be my views.

Cost is also an issue. First lessons, then books since specific books are needed, then the exams fees which start at $100 and shoot up from there. Many clients of mine would not be able to cover those costs, and I would not push that on them. Does that make my students any less skilled, talented or disciplined than others? NO!!! They are just as skilled, talented, and in some ways more disciplined than others. My students love to learn, create, perform and explore, and I do not want to stand in the way of this. Examiners are sometimes not very good with handling certain temperaments, and spending a year or more focusing on passing a grade makes piano seem like school, not a life choice.

I also find the curricula lacking. Where is the true aural component? Identifying intervals, clapping back played rhythms, and simple melody lines by ear is good, but most kids respond better to figuring out their favourite songs and passages by ear. Harmonizing by ear is non existent, and improvising and applying the knowledge learned without pages of rules and notes does not happen. Originality and “composition” does not happen. It is my opinion that anybody can learn to play music a la RCM, ABRSM, Trinity, and other exam systems, but how many can play from lead sheet, improv with guitar chord names, or function in a band. These are what truly constitute playing an instrument, being able to sit down and make music without predefined “music” in front of you. Being able to pop out Christmas arrangements or Happy Birthday on the spot. Playing mood music for background serenades by knowing how to play styles rather than compositions. Composing and creating music, transposing and creating variations of music on the spot – this is true musicianship and the sign and skills of somebody truly able to play an instrument.

To those saying I am decrying composition playing and score playing and sight reading – I am not. These are skills that take time and effort to hone as well as good guidance from a good teacher. However, I am saying in the modern world of results, competition and one-up man-ship, we have left the true essence of music and being a musician behind. Old time musicians and early era musicians learned from their maestro by oral and aural tradition. They learned to make and care for their own instrument to the extent it was an extension of themselves and a reflection of their personality and musical spirit. They would compose, create and immortalize many epics, events and daily affairs in music from the beginning, and the musical traditions would be changed, modified, variegated, and enriched by each subsequent performer. Playing the music and the songs exactly as the master was not the norm, each put their own stamp of originality and interpretive touch and genius into the music, keeping it relevant and fresh for each new performance.

It is my belief that we have lost this as our society scoffs the arts, cuts funding, and shuns the cultural arts such as music for more materially enriching pursuits such as science and business. Arts must now be weighed, measured, judged, and quantified or qualified by the same standards as Academia to be considered worthwhile of pursuit. Set criteria, hurdles, and standards that are universal, and focus on attaining these milestones is more important now that the individuality, creativity and subjective nature of the creative arts which cannot be weighed, measured, judged and quantified against a balance sheet or scientific/mathematical formula. Some creative endeavors speak to many, others to a few. They may inspire legions, or offend multitudes. They may result in world changes, and world shakers, or pass by with little notice. They define generations, speak to their era, and represent the heart, soul, and humanness of our world despite all the craziness, anger and hate rampant in the world. They all impact in special, unique way, and each is important, so how can they all be held to the same standard? Music is really the ultimate emotional outreach, expression, and it does so in different ways through different media, and different souls who birth it, nurture it, shape it and help it take flight. How does one balance, measure, or quantify the incalculable? Only arrogance and the need to “be better than somebody else” would lead one to believe that this is the only way to prove importance or relevance.

I have seen music bring hope, healing, and improve quality of life for those pursuing music for music’s sake without the strictures of examinations and competitions. Music has brought me through some of my darkest hours with it soul speech that lends fortitude to mere human means. Music has euphorically soared with me to empathetic heights in the best times of my life, and has been my longest and truest companion. People have taken their shots at me, Life has tried to bring me down, and the World has tried to shatter me, but Music asks only for love, and passion, and it gives immeasurably without restriction or rule. Music has always been there, the solid rock and true life’s companion. It has followed me without judgement, and has propped up my spirit when all else fails. Music has led me and connected me with some of the truest, purest friends and kindred spirits I will ever have or meet, and when our music meshes together with ease, there is no feeling like it in the world, musical souls don’t always need words to cross into each others’ worlds, and somehow musical connection leads to a deeper understanding of one another. I hope to never be a music snob, or an elitist. I hope none of my students ever follow that path either. I hope to have m students recognize the music in the special souls of this world that will follow alongside them forever, and to have them recognize music in the most mundane of places – rain falling, wind sighing, snowstorms crying, heat vibrating, and to recognize, touch , and bring forth the music of their souls to share with the world and give in a way that is unique, special and musical to them.

As a note, check out “This Song Saved My Life” by Montreal band Simple Plan. It is simple, poignant, and has been constantly with me these past couple weeks which have been difficult and stressful for many reasons. Making Music Makes a Difference – Living Music changes Lives. Playing scores limits, and exercises can stifle. Change live, make a difference, and don’t just MAKE music – BE music! Music is life, and Life without music is mere existence.

 

 

 

Finale!!! Success!!!

Well Saturday was our largest and most successful recital yet! The Steinway people were fabulous, the kids had fun, the parents were happy, and special guest performer Tatum “Taye” Pallo ran out of CD’s!!! A long day by those of us working behind the scenes to ensure the success of the performers, but it was worth it!!! The kids blew their goal of $1200 raising around $1500 for their efforts!!! I hope to post picture and video goodness soon, but it will be a few days!

We had some unintentional bloopers: a burp during the introduction of a performer, a couple of kids forgetting their pieces, some trips and fall and awkward bows. However, the show must go on, and all the funny moments make the recital truly unique. One child was apparently sick off too much food, and another had a wardrobe problem.

The music performed ranged from children’s favourites and folk songs to popular music and movie themes!!! The wide variety of music was complimented by the wide variety of performers, and the Steinway store was packed to standing room only capacity!!! The kids were dressed fabulously, and showed excellent manners and behaviour. Many kids sat with friends rather than parents, and were encouraging and supporting each other through the evening. Before and after the performances, the kids thoroughly worked over the various pianos in the store, each one playing a different song and a cacophony of sound was heard throughout the store! The joy of music, and the unity of many piano students through this music was more than evident – and this is the real reason for music education – music for music’s sake.

Many special guests joined us through the evening:

Legacy Foundation: Darryl and Sandra Wernham, Alicia Diebert
Calgary Learning Village Collaborative: Heath Hill and Nick Gonsalvez
Centre for Newcomers: Maria Gan
Trinity Music: Darrell Pallo (my former teacher)
Voice Coach Lisa Fernandes
Steinway Pianos of Calgary: Jenn Weihmann & Kevin
Special Guest Perfomer: Tatum “Taye” Pallo – she performed 2 covers, 2 original songs, and signed CD’s

One birthday was celebrated, that of 15 year old guitar student and Hip Hop perfomer Ralph Lester David, who had his two sisters playing piano that evening. Lester also showed off his hip hip talents by performing a duet of Bruno Mars’ “Billionaire” during the check presentation with student teacher Ronald Atutubo – a performance thoroughly enjoyed by all.

Golden Note Awards for success in other areas of music excellence and pursuit were handed to just over half the students in the form of recognition ribbons, with special Excellence ribbons for the student teachers, and a large cake to celebrate the promotion of Reihan and Danika to student teacher status was given.

Video services were provided by Michelle of Wrighteous Productions, and Photography services by Kris Lim – and I can’t wait for the DVD’s and pictures to be here!!! I know they both did a fantastic job!

One thing I should note: our group was complimented on how they stayed to clean up after the concert, and for their enthusiasm for piano and music in general. I am fortunate that the parents are always willing to bring food to share, but also help with tidying up after that event, as that many kids can make a big mess in short order!

One of our 2 newest Legacy students was in attendance and introduced, and I am pleased to say our studio raised enough money to pay for both of the 2 kids first year in music!

It was a whirlwind night, it had many ups, a few downs, and was the event of the year as it always is. The recital always feels like the coming together of a very large and diverse family all united in the pursuit of music. Everybody had fun, nobody left sad, and already I am being asked “when is the next one?”

Stay tuned for more recaps, media releases, pictures and videos!

Flamingo Music Fundraiser Hits Media!!

With only 3 days left in the fundraising efforts, which will culminate in the Lucky 13 Piano Festival hosted by Steinway Pianos of Calgary, donations have continued to come in. $53 IN PENNIES from one girl, a huge freezer bag from another, and twice I have crammed my car to bursting to get bottles to the bottle depot – one run accumulated $76 and the second run $52. Still more bottles have come in, and we have been told to expect bottles and pennies up to the very end!

Rumour now has it that CBC Radio might interested in an interview with some of the students about this initiative, fingers are crossed as this could be a big boost to the Legacy Children’s Foundation – there is much work, many deserving children, and only so much available at the moment. Our goal of $1200 raised might have been modest by fundraising standards, but consider that we were working mainly in the Forest Lawn district of Calgary, we had a hard time getting notice and promotion, and many of the fundraising kids are sponsored by the Legacy Foundation. Add to that the fact that music lessons for 1 child for 1 year in Calgary run $1200 approximately, or $600 per child per year for Flamingo Music and you will know how we arrived at our number. For raising funds as pennies and pop bottles, $1200 is not too bad of a goal! Did we make it? We will find out Saturday at the Festival.

In the meantime, check out the media release sent by Legacy Children’s Foundation! And yes, those are my students sitting in the picture with the rolls of coins, of which we have even more!

http://www.legacygiftofmusic.com/news.html

T-10 Days till Recital!

I am not sure the character that will permeate this, the following blog post, as we are T-10 days to the Lucky 13 Piano Concert and Fundraiser Conclusion! Nerves, deadlines, last minute changes, and the effort of coordinating performers, performances and special guest appearances can really diminish the inner fortitude of even the most resilient teacher. It is my feeling that this will be a rant, a boast, and a way to blog off some steam before the pressure kills me.

First off, I have to say – why do all my students reverse aptitude the week before the concert? The best students suddenly get so nervous their pieces fall out of their heads, or they don’t get their piece learned and memorized till the last second. My struggling students suddenly find they are breezing through practice and not the least bit worried. I have wondered if it is because the struggling ones know that people will just recognize their hard work and that is enough for them while the more advanced or technically competent fear the worst scenario – complete breakdown of performance. In must step Super Teacher to reassure, calm and support the efforts of all of the nervy players. I am happy to perform cheerleader functions, but I will admit it can be draining on the intellect and morale.

Deadlines – I will come out and admit I am one of those teachers doing recital prep up to the last second. Programmes, awards, everything is never finalized till the night before. Probably not the best strategy when one had between 4 and 5 dozen performers. Reminder going out on deadlines are also problematic for me. When the VIP guest list is quite long, this is a daunting task. You want to leave it till as close as possible so they do not forget and you only send one reminder, but early enough to remind those who forgot without them feeling badgered.

Coordinating – Music teachers really are event coordinators if they take on recital planning for recitals on the scale of our studio one on a regular basis by themselves. Food, logistics, timing, organization, all these thing eat up large amounts of time and planning resources before one even gets to the recital. Every event is different, a routine recital would quickly dull enthusiasm. Never mind fitting in guest performers who don’t communicate well, videographers, photographers, and other such hired assistance. With the fundraiser, a CD signing by up and coming Christian recording artist Taye, and community partners and agencies, planning weddings is simpler! Before anyone asks, I have a part time gig as a DJ and I have had to MC as well which really means planning the music, entertainment, evening and traditions so I know what I am talking about.

Practice – trying to get every last second possible of practice from the performers because the better they know the song, the less room for mistakes, and the more likely they can recover if they do. Working out the kinks with those who improv solos into their pieces, or those who have composed their own but neglected to write them down. Practice with the student that you as a teacher are playing duet with. Listening to practices from different places in the piano studio so you can get a feel for the balance of hands and to hear what the audience hears which is not the same as what you hear sitting right beside  the piano. Trying to convince performers that practicing up to the last second the day of is counterproductive as any mistakes will cause them unneeded stress and impede performance.

Etiquette – I am pleased to say we do not have issues of harassment, put downs of performances, etc, and that the students are very supportive of each other’s efforts no matter level or piece. This may be because we are a like a large family in that they all know each other and therefore respect each others strengths and overlook weaknesses. In this way I have no concerns. I do however dread having to coach new students on bowing, why they must bow, and proper etiquette with their performances including if there is audience involvement. Which leads me to my next point.

Audience participation – Our recitals welcome audience participation. Whether we have planned sing alongs (O Cananda?) or unplanned impromptu chorus lines courtesy of parents, dance numbers involving too young siblings of piano students (we have one this time with “If You Are Happy and You Know It), hip-hop performances, or other such songs, I find audience involvement really takes a recital to the next level. It brings the spectators out of the look at the performers mode to the join the performers mode and makes the event more fun for everybody. I realize other teacher prefer more formal events, but we are all about music for all and music should be appreciated and experienced by all in the way they enjoy most.

Food – Our recitals include copious amounts of food of the nutritional and non nutritional kind. Parents each bring food to share and the recital intermission and after party both involve tonnes of food. This encourages socializing before and after, and many of the kids don’t eat due to nerves and get hungry after. There is no alcohol served, although I have attended recitals where alcohol was the norm, because I do not wish parents to drink then drive their kids home. As well, we have students of Muslim faith and other faiths who do not partake, and as I do not know the temperaments of some, I would prefer nobody feel uncomfortable. I still have to coordinate food though, that way all the bases are covered from nutritious food to making sure we do not get 20 platters of dessert.

Special Recognition/Events – This time around we have our usual award ceremony. This ceremony gives small prizes to students who have branched out with their music in other ways – auditions for choirs, groups, and orchestras, talent shows, performances at parties and weddings, etc. There are awards for those who volunteer to assist with recreation and education fairs, community events, and other endeavors. We also have a promotion ceremony for my newest “student teachers” which we honour their contribution to the community through dedicating their time on a volunteer basis with myself to bring music to others. Finally, we honour birthdays if they fall on the concert day and this requires coordination – a student to play the song, one to lead the singing, the cake, candles and everything. Lots of work? Yes! Worth it? No doubt!

In conclusion, I should say I regret nor truly dread any of the above with regards to recitals. I love the talents of each student shining through, I love the barrier breaking of music – Canadian, Immigrant, Disabled, Gifted, no matter the student, each one brings something special that would be sadly missed if it they were not present during recital. My students no matter how nervous, are always asking when the next concert will be as soon as they are off the stage. Before and after the concert, they visit, socialize, show their skills and thoroughly enjoy the gracious hospitality of Steinway Pianos of Calgary who have a “Please Touch” policy for the pianos. Recitals are anticipated by parents, students, and friends and family, and the music is enjoyed thoroughly. No matter the stress, nerves, tension, and pressure on myself and them, the joy of the music glows from every performer. Music is truly making a stronger community of healthy, strong students who will become world leaders, changers, workers, and contributors no matter what their chosen life paths. In the end, isn’t music for music’s sake what every teacher should strive for?

 

 

 

Recital Programs & Playlists

This morning I wanted to throw something out for discussion amongst my followers, and maybe for other music teachers – crafting the recital program or playlist. Everybody has their way of doing it that works, and I wanted to get others ideas. Do you have a sign in sheet, or avoid it because nobody wants to be first? Do you draw names from a hat, so the performers do not know when to anticipate their turn? Do you order the pieces by difficulty, age of the performer, experience of the performer, or quality of the playing? Do you organize the pieces by style? (ie, all classical together, all pop together) There seems to be as many ways as teachers!

I have tinkered with my recital playlists back and forth, and after almost 7 years of teaching, I have found a format that (mostly) works, since nothing is perfect and I am always trying to make it better. I also differentiate between the quality of performance, versus the qualities (ie difficulty) of the piece, since a well practice easier piece is more pleasing than a less secure difficult piece. Now that said, many of my students elect to play a piece beyond their level for recital, which is fine with me as long as there is dedication.

So my basic recital program format? Well for piano-only recitals, I put down all the names and pieces on document in my computer, and then I do as follows:

1. I split the kids into groups – we have a two group format with an intermission as there is too many of us to fit in the Steinway place and it becomes too long for parents with young children.

2. I make sure that we have more kids in the beginner group since their pieces are shorter than the older group.

3. I try to keep families together, except in certain cases where the parents and children prefer a split and are willing to stay for the whole event.

4. I try to balance the recital by putting the pieces (and therefore performers) in order of age/ability, especially as some younger students who have been learning longer may have higher abilities than those who do not.

5. I then try to balance the content – not too many kid favourites in a row, not too many slow or fast in a row, as I have found the keeping all the same style together (unless you do a theme recital) tends to cause parents to zone out, and too much slow music puts people (especially dads!) to sleep, while too many fast leave you breathless.

6. I ask a student to volunteer to go first. I have never had a recital where a student would not volunteer to go first, and this means I don’t have the be the bad guy.

7. I pick a student for the ending song – this maybe the most difficult piece, or the most experienced student, or chosen by other means. I always try to make sure the ending song is a well known piece, and has a happy feel so everything ends on a high note – pun intended.

8. I repeat the process for the older students group.

9. In cases where I have the guitars and other instruments, I usually just sprinkled them throughout randomly to break up the monotony of all piano.

Now I realize my system isn’t perfect but it does leave room for flexibility if I wanted to do a theme recital or such. I have found that it works quite nicely for me, and allows for an exciting night. I also try to put few limitations on what is an acceptable recital piece – book exercises can be played if they are musical and pleasing, original compositions of students, duets, songs out of season. I do limit the songs in that no two students can do the same song unless they are using different instruments, or are in two different groups. Why this limitation? I do not want the performers and audience comparing the performances, I find this distasteful and demoralizing to the students and recitals that end in tears impact the student’s perception of recitals in a negative manner.

My programs are typed in a simple format, but I will leave that for another post. In fact, when I finish with this recital’s programs, I will post examples here for show. I try to maintain a professional look, and I also get each child to proofread their own name, since I deal with very unique and ethnic names, and misspellings can happen. As somebody with an odd name myself, I can understand how disappointing it is to see your name wrong where everybody else can too.

So fellow bloggers and readers – sound off in the comments – what do you do for playlists?

First Bottle Cash – In

Good Monday!$2

Well unless you are Garfield the cat, but since Monday is my one non-teaching day it could be called my day off. To be fair, I spend the day doing paperwork and organizing stuff to do with teaching so maybe not so much. 🙂

Either way, *drum roll* here is one of the moments we have been waiting for – the first truckloads of bottles were taken in yesterday! Huge thanks to my friends Big James and Stephanie for the loan of their truck and time to run some bottles to the depot, because my little car would take forever to do the runs. Unfortunately, they were only able to take two loads, and there is still enough for at least one more large load, but as bottles are still being collected, that is no big deal and the bottle depot run will be done in another 2 weeks.

Grand Total of cashed bottles yesterday – $190.10. Estimated value of bottles left $80, Total bottles including estimate = $270. What a huge amount of return for some scraps of plastic, glass, and aluminum!!!

Bottle collection and coin collection will continue, so please let us know if you have anything, we can pick up too! fundraiser@flamingomusic.ca